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Lecce and the Roman Amphitheatre

Piazza Sant'Oronzo, 73100 Lecce LE, Italia ★★★★☆ 707 views
Radika Johansson
Lecce
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About Lecce and the Roman Amphitheatre

Lecce and the Roman Amphitheatre - Lecce | Secret World Trip Planner

Located in the heart of Lecce, in Piazza S. Oronzo, and brought to light at the beginning of the twentieth century following radical urban redefinition of the city, the original building is now visible about a third, while the remaining portion is hidden below the square and the buildings facing it. The archaeological excavations were started in 1900 by the archaeologist Cosimo De Giorgi and, with several interruptions, continued until 1940. Probably dating back to the Augustan age, the Amphitheatre had an elliptical plan, measured about 102 x 82 m and was able to accommodate between 12,000 and 14,000 people. The construction, built using the Lecce stone bank to support the steps, has the arena, the lower ambulatory and the radial connecting tunnels excavated directly into the rock; the supporting elements of the elevation were instead made in square works and connected by structures in cement conglomerate with reticulated vestments in masonry.Planimetrically the Amphitheatre was divided into four sectors marked by four entrances at the main axes. The access was at the level of the middle cavea and from here, through a system of connecting stairs, it was possible to go out on the steps, go up towards the upper perimeter portico and the summa cavea or go down towards the lower ambulatory, connected with the ima cavea and, through six service passages, with the arena. The outer wall was originally marked by a succession of 68 arches, of which 24 pillars remain visible today. The perimeter gallery on the second floor was probably surmounted by a portico, which can be traced back to the phase of the Arian restoration, to which several fragments of architectural decoration in Pentelic marble are attributed. Even the podium was to be entirely covered with marble slabs, while a continuous relief with scenes of venationes ran along the balteus, the parapet of the arena. Inside the lower ambulatory there are numerous elements that can be traced back to the sculptural decoration of the building.

Lecce and the Roman Amphitheatre - Lecce | Secret World Trip Planner
Lecce and the Roman Amphitheatre - Lecce | Secret World Trip Planner
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  1. 🌅
    Morning
    Lecce and the Roman Amphitheatre
    📍 Lecce
  2. ☀️
    Afternoon
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  3. 🌆
    Evening
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Frequently Asked Questions

Only about one-third of the original amphitheatre is visible above ground in Piazza S. Oronzo, while the remaining two-thirds lie hidden beneath the square and surrounding buildings. The structure was rediscovered and excavated at the beginning of the twentieth century, starting in 1900 under archaeologist Cosimo De Giorgi, with work continuing intermittently until 1940.
The amphitheatre had an elliptical plan measuring approximately 102 x 82 meters and could accommodate between 12,000 and 14,000 spectators. It likely dates back to the Augustan age and was ingeniously constructed using local Lecce stone for the foundation and arena, with the upper portions built in square works connected by cement conglomerate.
Visitors can see the remaining 24 pillars of the original 68 arches that once surrounded the outer wall, portions of the arena and lower ambulatory, and fragments of decorative architectural elements in Pentelic marble. The visible sections showcase the sophisticated Roman engineering, including the radial connecting tunnels that were excavated directly into the rock and the multi-level access system through connecting stairs.
The amphitheatre was planimetrically divided into four sectors with four main entrances at the principal axes, providing access at the middle cavea level. From there, a system of connecting stairs allowed spectators to move between different sections: upward to the upper perimeter portico and summa cavea, or downward to the lower ambulatory and arena through six service passages.
The amphitheatre was lavishly decorated with a continuous relief featuring scenes of venationes (wild beast hunts) along the balteus, the arena's parapet, and the podium was entirely covered with marble slabs. Several fragments of architectural decoration in Pentelic marble visible today are attributed to the Arian restoration phase, and the perimeter gallery was probably surmounted by an additional portico.