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Church of Santa Maria del Lago in Moscufo

Contrada Santa Maria, 75010 Moscufo PE, Italia ★★★★☆ 346 views
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Moscufo
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About Church of Santa Maria del Lago in Moscufo

Church of Santa Maria del Lago in Moscufo - Moscufo | Secret World Trip Planner

Immersed in the countryside, in what was once a sacred forest (Lucus in Latin), there is a church that has been restored several times, but is still a splendid example of Romanesque architecture. The beautiful Romanesque church of Santa Maria del Lago is certainly the most important monument of Moscufo and its pride and joy. The church, formerly called so because of the proximity of the forest (Lucus) was a Benedictine abbey, as evidenced by the side openings in the shape of an ogive towards the cloister. The facade, extremely bare and simple, introduces to an elegant and sober interior, with elegant frescoes of the 12th century, unfortunately partially faded by time and by the overlapping of other paintings. But the real masterpiece of the church is the polychrome ambo, by master Nicodemo da Guardiagrele, a beautiful example of Romanesque sculpture. Carved in relief on the ambo there are Old Testament stories (among them: David facing the bear, Jonah swallowed by the fish, Jonah rejected by the fish); stories of saints (St. George killing the dragon); allegorical figures; fantastic animals; deformed human figures like telamons. The symbols of the Tetramorph are sculpted in larger dimensions and in much more accentuated relief. The work is also signed and dated (1159). The large traces of polychromy still visible make this very valuable monument - among the largest in Abruzzo, but undoubtedly of national importance - a rare evidence of the use of painting sculptures, once very widespread but now hardly visible due to the degradation of color. The same church still houses a valuable Madonna and Child of 1490, attributed to Andrea de Litio, the greatest Abruzzo painter of his time.

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  1. 🌅
    Morning
    Church of Santa Maria del Lago in Moscufo
    📍 Moscufo
  2. ☀️
    Afternoon
    Spoltore, the small village on the hill
    📍 6.7 km · Moscufo
  3. 🌆
    Evening
    E.Ricci Automobile Museum
    📍 10.8 km · Moscufo

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Frequently Asked Questions

The polychrome ambo created by master Nicodemo da Guardiagrele in 1159 is the church's masterpiece, featuring intricate Romanesque sculptures with Old Testament stories, saints, and allegorical figures. The ambo is particularly valuable because it retains traces of original polychromy (colored paint), making it a rare example of painted medieval sculpture and a work of national importance.
The church was originally a Benedictine abbey built in a former sacred forest (called 'Lucus' in Latin), which is why it was named 'del Lago.' The structure has been restored multiple times but remains a splendid example of Romanesque architecture from the 12th century, with evidence of its monastic past visible in the side ogival openings that once led to the cloister.
The church features elegant 12th-century frescoes throughout the interior, though some are partially faded by time and later overlapping paintings. Additionally, the church houses a valuable Madonna and Child painting from 1490 attributed to Andrea de Litio, considered the greatest Abruzzo painter of his era.
The ambo's relief carvings showcase Old Testament stories including David facing the bear, Jonah being swallowed and rejected by the fish, and narratives of saints like St. George slaying the dragon. The sculpture also includes allegorical figures, fantastic animals, deformed human figures called telamons, and the symbols of the Tetramorph (the four evangelists' symbols) carved in larger, more pronounced relief.
The church is recognized as one of the largest and most significant Romanesque monuments in Abruzzo with national importance, primarily due to its extraordinarily preserved polychrome (colored) sculptures on the ambo. The visible traces of original paint are exceptionally rare in medieval sculpture, as polychromy typically degrades over centuries, making this church a unique testament to how Romanesque sculptures originally appeared when newly created.