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Cathedral of Chieri — Chieri
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Cathedral of Chieri

In its present appearance, the Cathedral of Chieri (which it would be more appropriate to call "Collegiate Church of Santa Maria della Scala") was built between 1405 and 1436, thanks to the interest of the Chapter of Canons, the Municipality, Duke Amadeus VIII and the main famili...

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Cathedral of Chieri — Chieri, Italy.

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Chieri
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About Cathedral of Chieri

Cathedral of Chieri - Chieri | Secret World Trip Planner

In its present appearance, the Cathedral of Chieri (which it would be more appropriate to call "Collegiate Church of Santa Maria della Scala") was built between 1405 and 1436, thanks to the interest of the Chapter of Canons, the Municipality, Duke Amadeus VIII and the main families of Chieri.

Cathedral of Chieri - Chieri | Secret World Trip Planner

This large Gothic temple replaced a Romanesque church that had been built around 1016 by the bishop of Turin Landolfo, whose crypt and baptistery survive in it. But also the Collegiate Church of Landolfo was built on an early Christian church of the 5th-6th century and its cemetery, of which archaeological excavations have revealed numerous traces.

Latin cross-shaped, 74.35 m long, 20.80 wide at the aisles and 26.70 in the transept, 17 m high, the Cathedral of Chieri is one of the largest churches in Piedmont, lower only to the Cathedral of Asti and Saluzzo. In addition to the presbytery and the baptistery, it includes twenty chapels, which were originally contended for patronage by the wealthiest families of the city and the main trade guilds, which provided them with works of art and precious furnishings.

Cathedral of Chieri - Chieri | Secret World Trip Planner

After maintaining its austere Gothic appearance for two centuries, starting in the 17th century, and even more so in the 18th century, it was heavily "baroqueised": stuccoes and paintings compromised the original appearance of the presbytery, choir and chapels. Only the naves were "saved", which were simply plastered and painted white.

At the end of the nineteenth century a radical restoration, which according to the declared intentions should have restored the church to its original Gothic appearance, actually replaced the improper baroque "dress" with a no less arbitrary Byzantine decoration, in those decades very fashionable.

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Frequently Asked Questions

The Cathedral of Chieri was constructed between 1405 and 1436 thanks to the combined efforts of the Chapter of Canons, the Municipality, Duke Amadeus VIII, and the wealthy families of Chieri. This Gothic masterpiece replaced an earlier Romanesque church that had stood on the same site since around 1016.
The Cathedral of Chieri is one of the largest churches in Piedmont, measuring 74.35 meters long with a height of 17 meters, making it the third largest after the Cathedrals of Asti and Saluzzo. Its impressive Latin cross layout includes twenty chapels, a presbytery, and a baptistery that showcase centuries of artistic patronage.
The Cathedral contains remarkable historical layers, with the original Romanesque crypt and baptistery from 1016 still preserved, and archaeological evidence of an even earlier early Christian church from the 5th-6th century beneath it. This makes it a fascinating archaeological site that spans over 1,500 years of religious history.
Starting in the 17th and especially the 18th centuries, the church was heavily baroquized with stuccoes and paintings that obscured its original Gothic appearance in the presbytery and chapels. A late 19th-century restoration then replaced these baroque elements with Byzantine decoration, leaving the cathedral with a blend of architectural styles rather than its intended pure Gothic design.
The Cathedral houses twenty chapels that were once patronized by Chieri's wealthiest families and trade guilds, many containing precious artworks and furnishings they commissioned. Don't miss the original Romanesque baptistery, the preserved crypt from 1016, and the nave areas which retained their austere white-plastered Gothic appearance, offering a glimpse of the church's original aesthetic.

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